The top Most Offensive Movies in the history of Cinema

1. The Birth of a Nation (1915)

The film of DW Griffith, released on February 8, 1915, is considered one of the great milestones of the original cinema using novel techniques unusual at the time: panning, parallel editing; shooting at night. At the time was a Blockbuster A real hit. So much so that it was the first Download Mp4 Movies that was projected in the White House. However, as a daughter of her time, she is tremendously racist. Of an inconceivable racism today. The film approves the lynching of African Americans, portrays the Ku Klux Klan as the saviors of the United States and portrays Blacks as simran animals that eat bananas and fried chicken and only want to rape white woman.

2. 'The Fall' (1921)

This film was the one that sent to stardom a young Rodolfo Valentino that would become the Latin sex symbol of the silent film by antonomasia. Valentino gives life to a kind of Muslim governor in a film portraying Arab men as gambling gamblers betraying women who rape, rape, seduce and threaten women in distress who finally have to be rescued by the white man . 'El caíd' was one of the first films to feature a Muslim character and gave rise to the 'hollywoodiese' tradition of representing the Ismailis as sheiks or as terrorists, a very common practice in the film Mecca that has come to our days.

3. The Mysterious Dr. Fu Manchu (1929-1969)

Almost a century ago the writer Sax Rohmer created the fiendish character of Dr. Fu Manchu, "the yellow peril embodied in a man", and whose adaptations to the cinema in a long series of action films marked the way that many Westerners perceived The Asian community. Fu Manchu, the villain who despised bombs and pistols and preferred poisons, snakes and mushrooms to wipe out his opponents, fostered the racist stereotype of long mustaches, claw-like nails, and yellow complexion , as well as infinite evil . "Kill the white men and take them to your women!" Shouted Boris Karloff-a Londoner of thick layers and layers of waxed makeup in 'Dr. Fu Manchu's Mask' (1932). The doctor, who sought to subdue the white man through Machiavellian wit, represented the fear of an England that saw China as an obstacle to its hegemonic position in the world market in the early twentieth century. And nothing better than ridiculing what you fear to lose the fear.   

 4. 'The Smallest Rebel' (1935)

A wonderful way to contextualize historically the modern concept of political correctness is to see shorts and films by Shirley Temple, the child prodigy of the 30s. In some of her earliest cinematographic works she is characterized as a prostitute - there would not be not even four years old-flirting with soldiers of their own age and making references to the sexual act more or less-less than subtle. So it is not surprising that his film 'The Little Rebel' is among the least politically correct and racist films in film history. The film is not only patronizing African American servants - who need white guides to survive - but also resorts to the 'gag'. Get Stream Free Movies the Smallest Rebel. 

5. The eternal Jew (1940)

And speaking of racism, how could the Nazis lack? 'The Eternal Jew' is constructed as a film documentary to support the anti -Semitic propaganda of the Third Reich. Directed by Fritz Hippler, who did not go back to making a film beyond 1943 - why would it be? - He tries to denigrate the Jewish community and to counteract some films produced by the Allies who criticized the persecution of the Hebrews in the occupied territories By Hitler. Through this propaganda, the Third Reich tried to construct a negative iconography around the figure of the Jew, which endowed with negative physical traits and personality. With film extracts, of other documentaries and footage recorded exclusively for the occasion, Hippler presents the Jewish population as a group of cowardly rats, of a parasitic nature and clearly inferior to the Aryan race. Soulless robbers, criminals, a plague that endangers the health and cleanliness of Germany; one only has to see the film's portrayal of the Jews on its poster: sullen sinister, sharp-nosed and malicious eyes.  

6. 'Song of the South' (1946)

In the United States it is almost impossible to find for sale any edition of this 1946 film that combines real image and cartoons. Why? Because 60 years after its launch, with the prism it grants in advance in social rights and the abolition of segregationism in the West, Disney considers that the film could have some racist reading. The film, Uncle Remus - played by James Baskett - is a slave who provides advice, songs and entertainment to Sally and Johnny, the grandchildren of his mistress. The problem is that the directors Wilfred Jackson and Harve Foster seem to imply that the slaves were happy to be deprived of their liberty - because they sang - and thus did not have the responsibility to lead their own lives.

7. Mandingo (1975)

In his critique of July 25, 1975, controversial film critic Roger Ebert described Richard Fleischer's film as "racist, obscene garbage in its manipulation of human beings and their feelings, an atrocity" that "in addition to containing nauseating scenes, Shows frontal nudes, floggings, the auction of naked slaves, and a fistfight in which heavyweight boxer Ken Norton kills his opponent by ripping his jugular into bites. 'Mandingo' portrays the hardships of a mulatto slave in the late nineteenth-century society of the southern United States, where slavery persists and African-Americans are treated as objects. The problem - apart from explicit violence.